–OFF RECORD!!! is the underground offspring of award-winning theatre production HUNTER.
Step through the cellar doors, down into the underbelly of the HUNTER universe. OFF RECORD!!! cracks open the backstage – raw, intimate, chaotic – inviting audiences into a world where performance, installation, ritual, and experience collide.
Set in gritty ‘off site’ spaces – cellars, clubs, garages, corridors, bedrooms – this immersive environment fuses the aesthetics of a BDSM dungeon with the emotional charge of an emo girl’s bedroom.
SAD. HORNY. ANGRY. SHAMELESSLY.
A rare and visceral glimpse into the private universe behind the work: the meticulous preparations, intimate rituals, and tender aftercare shared between Courtney and her hyper-realistic silicone doppelgänger. The grotesque, the perverse, and the emotionally excessive become radical symbols of bodily autonomy and empowerment.
Durational happening, intimate performance, or pop-up intervention, OFF RECORD!!! takes all shapes and offers fragments, deleted scenes, and expanded research from the original HUNTER.
Unhinged. Unpolished. A rough, dark, dramatic experiment. Back to the roots.
xoxo <3
No upcoming shows
05.02.2026
Viernulvier
Gent (BE)
4X4 Lieselot Siddiki
19.09.2025
STUK
Leuven (BE)
STUK START
18.09.2025
STUK
Leuven (BE)
STUK START
10.05.2025
Freaky Dancing X WAS.
Utrecht (NL)
CLUB EDITION
15.02.2025
De Sloot
Amsterdam (NL)
LOOM XL - Subbacultcha X We Are Public
07.12.2024
De Studio
Antwerp (BE)
FADE INTO YOU
CONCEPT, DIRECTION, CHOREOGRAPHY, PERFORMANCE AND VIDEO DESIGN Courtney May Robertson
SOUND DESIGN Puck Schot (Acidic Male)
SCENOGRAPHY Manuel Boutreur
DRAMATRUGY Lara van Lookeren
PUPPET DESIGN Ronald Schinkelshoek
WIG DESIGN Zoe Morgan
COSTUME Matija Franjes
DISCOMFORT DEVICES BNDSN
TOUR MANAGER Anna Møller
TECHNICAL PRODUCER Stefan Prokop
PRODUCED BY Courtney May Robertson
CO-PRODUCED BY Dansateliers, Dans Brabant, ICK Artist Space, Grand Theatre Groningen
FINANCIALLY SUPPORTED BY Stimuleringsfonds Design Grant, Fonds 21, AFK, Gemeente Rotterdam
WITH THANKS TO Yoko Haveman, Charles Pas
